In a series of quietly absurd vignettes, a group of people move through their lives in anticipation of a punchline they can’t see. “Slow Vine," directed by Glenn Fellman, patiently explores the quotidian spaces and timelines turned askew by surreal touches. A man in a suit aggressively rides an exercise bike. While waiting for a haircut, a man notices his face plastered around the barber shop, each sporting a different sample haircut. A title card at the conclusion of each chapter frames the scene we just saw, i.e. “I can’t stop walking like I’m in a museum.” Clever, bizarre, even occasionally touching — see: a teacher printing out kind text messages from old students and hanging them on his wall — the film is a refreshingly slow-paced, minimalist take on sketch comedy. -KA. Director: Glenn Fellman. Writer: Ben Gauthier. Producer: Jack Forbes. DP: Brody Anderson. Music: Boy in the Water. Cast: Kausar Mohammed, Katie Marovitch, Lawrence Dai, Ellie McElvain, David Brown.
At the end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. Bianca Poletti directs “Radical Honesty,” a sharply written and performed snapshot of would-be liberation and the fine lines surrounding it. The two free-thinking young p...
Inspired by the photo book format, this short documentary focuses on the seasonal workers of a small island. Charlie Weber directs “Small Hours,” a collection of summer snippets captured with evocative visuals and an ambling spirit. Kids do backflips off a pier, walk along the beach, work jobs at...
Two undergraduates discuss the status of their relationship and their sexual experiences. Jinho Myung directs “The Pressure of Sweetness,” a spontaneous conversation that accurately reflects the nascent modes of expression between two young adults evaluating a fling. While hanging out one day, th...
