A woman returns home to a constantly shifting domestic and mental landscape in this retelling of “Meshes of the Afternoon,” Maya Deren’s landmark avant-garde film. Meg Case and Brad Porter direct “Meshes of the After,” swapping 1940’s Hollywood for Brooklyn current day, and grainy black and white for sharp color. Largely the adaptation remains faithful to the original (while experimenting with pacing and sequencing) within its visual mutations, its merging of reality and imagination, and its recursive action designed with repeating motifs and labyrinthine logic. As well, both films allow plenty of room for interpretation and formal experimentation — extreme close-ups, use of shadow, camera (dis)orientation — as they depict a woman arriving into a state of upheaval. We featured Case and Porter previously with their 2020 quarantine opus, “Wrath,” which also involved elaborate, inventive uses of an ordinary home space transported through surreal visions. -KA. Directors, editors, DP’s, Producers, cast: Meg Case and Brad Porter.
Spending his days in a café in Paris watching people, Antoine falls for a woman he sees walking to the cinema. Paul Rigoux directs “Thus Began Antoine's Down-Going,” a poetic contemplation of love, art, and self; both an iconic depiction of a youthful French romance and a meta dissection of one. ...
In a moment of tense negotiation, Joyce and Mims haggle over a vintage Hank Aaron baseball card inside a sweltering pizzeria. “Card Shark,” directed by Alex Fabry, is an oddball comedy vignette about a should-be simple exchange turning into a strange encounter. Mims arranges a meet-up at his usua...
Two strangers meet by chance and form a romantic connection. Julissa Yasmeen Ramirez directs “Future Memory,” an experimental short (just over 1 minute long), shot on Super 8mm filmed primarily in close-ups of hands. Under a pressing electronic score, the young couple moves through New York City ...
